Friday, March 28th
:: Concert Music ::
[exact program order TBD, currently listed by alphabetical order]
CONCERT B3: Beckham Hall, 10:30 a.m.
Andrew Seager Cole, Sanctuary to the Sea
Greg Dixon, Cedar Forest
Eli Fieldsteel, Fractus III: Aerophoneme
Stephen Lilly, Divided Attention for trombone, fixed, and unfixed media
Charles Nichols, Sound of Rivers: Stone Drum
Rob Seaback, sequence (bloom)
Adam Vidiksis, Stria [feather] remix
CONCERT C3: Crowell Hall, 1:00 p.m.
Lou Bunk, Cut (Feat K.Kirchoff, Toy Piano)
Jacob Cooper, La Plus Que Plus Que Lente
Benjamin Klein, Weaving the Bend
Carter John Rice, Let Me See Your Face
Judith Shatin, Tape Music
CONCERT B4: Beckham Hall, 4:30 p.m.
Elizabeth Hoffman, songstressed
Michael Musick, Sonic Exploration No. 1: As Influenced by an Adorable Picture of a Gorilla
John Nichols III, Gates
Paul Schuette, Improvisation
Chapman Welch and Maria del Carmen Montoya, Rara Avis
CONCERT C4: Crowell Hall, 8:00 p.m.
Christopher Bailey, Composition for S#!++\/ Piano with Drum Samples, Concrete Sounds, and Processing
Chin Ting Chan, time, forward
Bryan Jacobs, Syncro-Vox and Other Cheap Animation Techniques
Deovides Reyes III, Motions of Maria Makiling
Jacob David Sudol, Vanished into the Clouds (雲隠)
Sam Wells, Leander’s Swim
Jonathan Zorn, Meditation on Pattern and Noise
CONCERT CH2: Memorial Chapel, 10:00 p.m.
Scott Miller, Contents May Differ
Chris Peck, Gothic Cochlea
Butch Rovan, Office Hours
Carl Testa, IRIS
Tom Williams, Dart
:: Papers & Presentations ::
9:00 a.m. – 10:00 a.m., AWKS 112
Physical Modeling with gen~ Workshop
– Jon Nelson
2:30 p.m. – 4:00 p.m., CFA Hall
Paul Bley: Pioneering Live Synthesizer Performance in a Jazz Setting
– Bob Gluck
Sounding Sounddance
– Chris Peck
Back and Forth: The History of the ARP 2500 + Contemporary Applications
– Asha Tamirisa